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In 1987, at 14 years old, Dyrholm made her breakthrough as the lead singer in Trine & The Moonlighters when the group placed third in the Danish Melodi Grand Prix with the song Danse i måneskin ( Dancing in Moonlight).

At the age of 10, she performed in Et juleeventyr ( A Christmas Carol) at the Odense Teater and in summer stock in Den Fynske Landsby. When Dyrholm was eight years old, she began performing with the Odense orchestra. Dyrholm has won the Bodil Award for Best Actress five times and a Bodil award for Best Supporting Actress twice as well as six Robert Awards in her acting career. Four years later, she again achieved national recognition when she won the Bodil Award for Best Actress in her debut film: the teenage romance Springflod. Dyrholm received national recognition when she placed third in the Dansk Melodi Grand Prix as a 14-year-old singer. “Queen of Hearts” won’t be easy to watch, but it remains a rewarding and important viewing for those that care about how we treat others and how we reckon with our choices.Trine Dyrholm ( Danish: born 15 April 1972) is a Danish actress, singer and songwriter. It’s a performance and a character that will stick in your mind long after the events of the film conclude.

Her portrayal of this woman in a controlled crisis should be celebrated, or at least examined in thorough detail.

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We even are given a chance to sneak inside her mind, watching her nakedly find the best lighting and angles in the mirror, looking at her body with a lack of confidence yet a knowledge of how to seduce the young man that has entered her home.ĭyrholm’s magnetism exists throughout the runtime but is featured heavily in that scene, creating a bubble in which the audience lives, Anne’s bubble.

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We see this woman for all her insecurities and faults on full display.

Her intentions, though not looking initially sinister, mask as lust and affection, only to turn manipulative when it’s time to fight. The power in the film comes from the clear portrait we are seeing of a woman who cares and loves with a deep passion, and how her (almost) boredom leads to family chaos. Trine Dyrholm and Gustav Lindh in Dronningen (2019) (IMDB) You want to turn off the film at some points for you can’t believe how despicable this seemingly perfect woman has become, and how little she cares for those around her. Anne even discredits Gustav as an accuser when he threatens to go to the police due to the illegal nature of their relationship, battering him into silence, as so many people are battered in our own circles of abuse. She casts out Gustav in the process, leaving him broken and alone, a child weeping for his father. She defends them, as she spins her own abusive relationship, denying claims of infidelity and lying to her husband. As this affair roars on, Anne works on a sexual abuse case for a college-aged woman and a domestic abuse case for a young girl. Quickly becoming sexual, this relationship firmly plants itself in the middle of the family, escalating a boring existence into one rife with secrets, sex, and anger.Ī harrowing film that darkens with time, “Queen of Hearts” ranges from somewhat displeasurable family drama to sensual tale of power and manipulation.Ī film that fascinates and frustrates, el-Toukhy’s tale contains naked scenes of sex, with actors’ bodies taking centre screen, and little being left to the imagination. Gustav becomes the eye of her desire, and the camera makes it clear, circling him as he spends time with her daughters and goes out for cigarettes. Trine Dyrholm in Dronningen (2019) (IMDB)įollowing Anne and her family, the film explores her relationship to her 17-year-old stepson Gustav ( Gustav Lindh). She, similar to some patterns of abuse, transforms throughout the film into a monstrous and master abuser, shedding her family and their love for her exploitative actions. The film catches you by surprise, lulling you into believing that the title character of Anne ( Trine Dyrholm) is a role model, a loving mother, and a caring lawyer hell-bent on creating positive change. A harrowing film that darkens with time, “Queen of Hearts” ranges from somewhat displeasurable family drama to sensual tale of power and manipulation. The filmmaking of May el-Toukhy teaches us quite a few things during the 2-hour runtime of her new Danish film “Queen of Hearts,” Denmark’s now non-shortlisted entry for the 2020 Academy Awards. It can exist in the grey areas of these two states of being for days, weeks, or even months.

It can take on different forms, twisting and morphing into something that looks like love or desire. Year: 2019 Runtime: 127 Minutes Director: May el-Toukhy Writers: May el-Toukhy & Maren Louise Käehne Stars: Trine Dyrholm, Gustav Lindh, Magnus Krepper By Michael FrankĪbuse can manifest itself in many ways.